Two Bright Orbs: Shining the Light of Love

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When attending celebrations where unity in diversity is not just in words but in action I feel hope for the future of Australia and the World.

I was so happy that my family were able to experience the inspiring coming together of the diversity of the human family and community into one larger family at the wedding of Shannon and Sarah.

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I was not an official photographer, just a friend, caught up like all of us were, in the connections made between so many cultures and religions that day.

Here is the Southern Sudanese Welcoming Party who called the Bride into her Wedding.

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These are special moments of connection, where two families become one, followed by an image of a lovely lady who said an Islamic prayer for the ceremony.

 

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Some of the ceremony includes a Baha’i prayer, a song, and some words from the Celebrant.

Shannon’s mother reads a prayer.

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The next few pictures are of my children at the wedding.  My daughter loved the beautiful and interesting fabrics.  They were both delighted and engrossed with the ceremony.  One of the groomsmen was Felix, a long time family friend, who we have not seen for many years, but have stayed in touch with on facebook. Felix has both Torres Strait and Papua New Guinean background.

This beautiful lady, a first cousin of Sarah’s from Sydney, gave me the most endearing smile when she saw me snapping away.  She had flown from Sydney to attend the Toowoomba Wedding.

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Some more pictures of the friends and family connecting and participating at the wedding.

Feeling blessed to know such beautiful souls. Love knows no boundaries, and gives to each that gives it truly – the universe.

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A prayer for marriage from the Baha’i Writings

O my Lord! O my Lord! These two bright orbs are wedded in Thy love, conjoined in servitude to Thy Holy Threshold, united in ministering to thy Cause. Make Thou this marriage to be as threading lights of Thine abounding grace, O my Lord, the All-Merciful, and luminous rays of Thy bestowals, O Thou the Beneficent, the Ever-Giving, that there may branch out from this great tree boughs that will grow green and flourishing through the gifts that rain down from Thy clouds of grace.

Verily, Thou art the Generous. Verily, Thou art the Compassionate, the All-Merciful.
‘Abdu’l-Bahá

 

A big thank you to Sarah and Shannon and their family and friends for sharing this special day with us and for permission to share some of the images.  These and other photographs are my wedding gift to Shannon and Sarah (nearly finished editing and collating them).

The Powers of Paper with Renee Farrant

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Lady with a Bilum

Today’s special guest is Renee Farrant, a paper sculptor.

Renee Farrant’s art practice solely utilises paper, relying on self-taught hand cutting and paper-folding techniques.

Working full-time from her studio outside Albany (WA), her preference for the paper-medium stems from an interest to create artistic expressions from everyday materials.

Farrant believes that art has an important social responsibility. As her art practice lends a hand to community building projects, paper is an excellent medium for making art with little means.

Farrant’s experimental approach to paper art allows her practice to evolve and to be applied in diverse settings, from public art to music video.

Follow Renee on facebook  Renee Farrant Art

 

June: Renee – what led you to work with paper sculptures?

Renee: The desire to develop my practice and the love of sculptures created the impetus to evolve from 2-dimensional to 3-dimensional works.

My paper-sculptures require intricate hand-cutting and working with sharp tools, which I can only attribute to influences from south pacific oceanic art. My parents can attest to my early love of trawling through craft markets, PNG Arts warehouses and the National Museum in Port Moresby, Papua New Guinea.

When working with paper, it is difficult not to draw inspiration from the art of origami. The process of transforming the flat-paper medium into a constructed form is always magical!

 

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An Early Three Dimensional Work in a Private Collection

June: What are the challenges and advantages of working in these media?

Renee: Ha!Ha!Ha! I will try to be brief

One of the challenges is the commitment of labour-intensive hours. Preparing for an exhibition involves a long-lead timeline, self-discipline and many re-heating of cups of tea. My practice is only possible because I have the support of my amazing family and husband!

Another challenge is sourcing my paper as I am very selective about the quality of the paper. The paper I am currently using comes all the way from the UK in a 10 meter roll. Then there is the challenge of transporting the roll of paper to my studio, which is nestled within Torndirrup National Park in regional Western Australia.

The lovely advantage of working with paper is the cleaning-up. No splatters. No fumes. The only spills are from that neglected cup of coffee.

June:  What are the main inspirations with your work (discuss a couple of examples)? (Tell me about any other paper artists and you can mention about spiritual inspirations such as – the paper cut for Tahirih?)

Renee: Reflecting on your question, I feel that works are inspired by story boards. Artisans along the mighty Sepik River (in Papua New Guinea) engrave their stories on panels of wood. The story boards would depict their village occupation, life, flora and fauna.

The contents of my works are inspired by stories and events concerning humanity. For example, for an exhibition entitled ‘Journeys of the Intrepid Woman’ (2012, ArtGeo, Western Australia), I was very privileged to present a series of works informed by the true story of Tahirih the Pure (1817 – 1847 approx). The first woman suffrage martyr was not from the West, but this young woman from Qazvin, Persia (today, Iran). Tahirih’s courageous life inspires millions of people today.

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Early three dimensional work from Private Collection

Being a Bahá’í also provides the further catalyst to grow my skills. The Bahá’í Writings allude to the central role of artists in society, stating that “…the true worth of artists and craftsmen should be appreciated, for they advance the affairs of mankind.”

Wow!!! what a profound role of the arts!!

Note: the quote is by Bahá’u’lláh (1817-1892), from a tablet translated from the Persian, cited in “Extracts from the Writings Concerning Arts and Crafts,” in The Compilation of Compilations, Vol.1, Mona Vale: Bahá’í Publications Australia, 1991, p. 1.]

June:  Can you tell me a bit more about the one you did on the Papua New Guinean lady with the string bag on her head (I think)

Renee: The “lady with a bilum” work expresses my gratitute to the wonderful people and communities of Papua New Guinea. My teenage years (1980‘s) were spent in Port Moresby where my parents were working as educators. I feel that the Papua New Guinean community was like my spiritual mother; her nurturing and love played a profound role in those formative years.

A ‘bilum’ is a Papua New Guinean string bag, traditionally woven from natural string fibres, sometimes incorporating possum-hair. Bilums are used to carry sleeping children and food crops.

June: What has been the highlight of your arts practice and career?

Renee: The highlight of my art practice is when I was able to collaborate with other makers and creators.

The below are my growth-&-soul feeding events:

  • Working with Dr Marjorie Tidman and Naysan Faizi on Marjorie’s book cover for ‘Sifting The Dust – God and the Mad Psychologist’;
  • Working with Shameem Taheri-Lee and Jason Eshragian on the Under One Sun music video;
  • Prop-making for Delia Olam’s play at the 2015 Adelaide Fringe Festival. Note: Delia will be performing at the Edinburgh 2016 Fringe Festival.

 

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Education is not a Crime

Follow Renee on facebook  Renee Farrant Art  She is happy to consider commissions for paper cut cover art.

Thanks so much  Renee for dropping by the blog and sharing your thoughts and practice on just how profound art can be.

Beyond Caterpillar Days: Sneak Peek

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So, so exciting! Super, super busy! I think I need a pair of butterfly wings! Flap, flap.

Above is our second last sneak peak of the enchanting illustrations by Helene before the launch. Just one more reveal! No poem to reveal, as you’ll see that in the book.  Wow, our caterpillar book is about to fly! No more cocoon. . . so very soon our book will fly into your hands.

It’s final editing of the manuscript time – the point where the poet is not allowed to tinker or fine tune the metre of any more lines, but has to finally be satisfied for the line edits by Matilda.

We have some magical people, in children’s writing and poetry, writing something about the book as we speak.  Can’t wait for their feedback !  They are the first, other than the team, to see butterfly emerge from its cocoon.

Our design wizz Heidi will soon be doing her stuff, taking the manuscript and the art and putting it all together.  Ah the decisions on font and so forth will be taking place.

I’ll be off to see the printer to make some final decision before that.  Papers, binding, and other mysteries to hide from you all a little while longer.  Ah for the mysteries of the cymk that will make the colours Helene has put into her art sing onto the page.

As for launching and so on, there’s still some research to be done, before we fix dates and places.  Maybe we will make a trailer?  We dream of flying or road tripping North to share our book in the place where the poems were born.

Will our dream come true?

(c) June Perkins

Divine Love in the Holy Tree

My latest contribution to Nineteen Months.

Ripple Poetry

sunsetmtlamington Mt Lamington National Park, Queensland

 “O God, my God! Praise be unto Thee for kindling the fire of divine love in the Holy Tree on the summit of the loftiest mount: that Tree which is ‘neither of the east nor of the west,’ that fire which blazed out till the flame of it soared upward to the Concourse on high, and from it those realities caught the light of guidance…”

-‘Abdu’l-Baha, Selections From the Writings of ‘Abdu’l-Baha

This months Nineteen Months Contribution

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A Long Way From Misery

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Jacqui Halpin is an Australian children’s author whose stories have won prizes in writing competitions and been published in anthologies. She attributes her love of storytelling to her father, Jack Turner. ‘Listening to the amazing adventures Dad had growing up stirred my imagination and transported me back to his world,’ Jacqui says. Jacqui has co-written her father’s memoir, A LONG WAY FROM MISERY, which is a rollicking journey through the Australia of yesteryear with a true Aussie larrikin who grew up on a farm called Misery.

 Jacqui is passionate about preserving the social history of Australia for future generations and is currently writing a series of historical junior fiction novels inspired by her father’s adventures growing up.

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June: Can you give us a short synopsis of the book?

Jacqui: A Long Way from Misery takes you on a rollicking journey through the Australia of yesteryear with Jack Turner, the larrikin shearer, as he rescues his brother from being drowned by a kangaroo, rides a wild steer through the house, and leaps off a moving train. But these misadventures are nothing compared to his mother wielding a carving knife.

Born in 1926, Jack lived in a different time, but the way he sees it, they were better days. He loved his childhood growing up with his siblings and mates on a farm called Misery, and retells it with delight.

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June:  Tell us a bit more about your Dad.

Jacqui: Dad has entertained many friends, family, and acquaintances over his long life with the tales of his younger years. He is a quick-witted larrikin who loves to laugh and make others laugh.

He was born in Rylstone, New South Wales in 1926, and raised on a farm called Misery. He moved to Queensland in 1956 and lives in Brisbane with his wife of 53 years, his three children, five grandchildren and one great-grandchild.

A former shearer with no education and a rough and ready upbringing, Jack’s ‘that’ll do me’ attitude has stayed with him throughout his long life and seen him through many a scrape. Hard-working, and with the ingenuity born from being raised in the bush, Jack has built and fixed everything from houses to toys.

He has had too many jobs to mention, met too many people to remember, and had too many adventures to record. He has lived an ordinary life full of extraordinary stories.

June: How long have you been working on Long Way from Misery?

Jacqui : It’s 12 years this month since my dad first gave me the audio tapes of the stories he could remember from his childhood and youth and I said I’d turn them into a book.

June: What was it like working with your Dad on writing the book?  Highlights? Challenges?  Any funny stories?

Jacqui:I don’t regret one minute that I’ve spent with Dad working on ‘the book’. I do regret that I has taken me this long, and now two of his brothers will never get to read it. If I knew back then what I know now it would have been published in half the time. One of the challenges was to put some sort of order to Dad’s stories.

He had a lot of stories (there wasn’t room for them all in the book) but he didn’t remember them in chronological order, if he had it would have made my job a hell of a lot easier.

We had so many laughs creating this book. I can’t remember what about exactly but just sitting round the kitchen table at Mum and Dad’s place laughing at what Dad was saying. Mum, too, has a great sense of humour. She has made countless cups of tea and lunches for me while we were working, and looked up the spelling of many obscure places that Dad shore at. And not with the aid of google, with a map and a magnifying glass.

One of the highlights while putting this book together was that Dad and I went to Rylstone and he guided me out to Misery Farm. It’s not called that now. Only the real old timers remember it as that. But dad found his way out there and I got to have a look around his old hut and take photos and get a better idea of how they lived. It’s falling down, which is a shame.

It was great to see Rylstone and walk with him on the streets that he walked as a child. And visit the pubs and the dance halls and the shearing sheds he had many an adventure in. I even got to meet some of his old mates too.

 June: What were your emotions on the launch day?  Where did you hold it and why?  What was the program?

Jacqui: Launch Day was a lot of work but well worth it. It was a celebration of all the hard work. A rejoicing for what we had accomplished. I could not have done it without the help of my family who were helping out all day.

My daughter, Emily, even had shirts made for the occasion. There was a great turn out of people. It was so uplifting to see so many friends and family there supporting us. Dad had a smile on his face all day.

It was held in Decker Park at Brighton because that’s where Dad and his family camped when they first moved up to Queensland. We had tea and damper and Hard Timer biscuits just like Dad’s mother made whenever visitors turned up at Misery. They were a hit. So many people asked for the recipe. I’ve now put the recipe on our blog.

Book Signing, Jacqui Halpin

 June: Why was it important for you to publish this book and set up your own press to do so?

Jacqui: I’d tried for several years to get a publisher, and although we had some interest, an agent read the first two chapters in 21/2 hours and asked for more, but no one would commit. Dad will be 90 this year. I couldn’t wait any longer. Besides, as Dad always says, ‘If you want something done, do it yourself.’ So that’s what we did.

 June: What role have writing buddies played in assisting you through the journey of writing, editing, and publication?

Jacqui: I have had a tremendous amount of help from my Write Link friends with this project. Their advice in self-publishing has been invaluable. Seeing the success of self-published authors like Karen Tyrrell, Charmaine Clancy and Nickolas and Alison Lochel, showed me that it was possible to do this self-publishing thing and do it well. I went through Book Cover Café and I could not have done it without them either. Anthony and his team were brilliant. I mean, you just have to look at the cover. I love the cover of our book! Anthony designed that.

A Long Way from Misery is available on Amazon or, for signed copies, through the authors at crownmountainpress@yahoo.com

For more information about Jacqui and her writing please visit her website:

jacquihalpin.com or follow her on Facebook www.facebook.com/jacquihalpinwriter

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Congratulations Jacqui, and thanks so much for your visit to the blog!